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Home / Vendor / Prof Effiong Johnson
Prof Effiong Johnson
Prof Effiong Johnson

drjohnsonee@yahoo.com

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    • Books

    A Road Well Conquered: Kalu Uka, Literature and Pedagogy. (A Festchrift in Honour of Professor Kalu Uka)

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    • Book Chapters

    A Scene by Scene Analysis of ‘Zulu Sofola‘s Wedlock of The Gods for University of Cape Coast Theatre 2009: A Director‘s Concept by Xornam Owusu

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    • Book Chapters

    A Semiology of Curvilinear Forms in lbibio Cosmology by Professor Udo Etuk

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    • Book Chapters

    Acting and Improvisation by Effiong Johnson

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    • Book Chapters

    Acting and Scene Design by Charles Nwadigwe

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    • Book Chapters

    Acting: Auditions, Casting and Rehearsals by Ofonime Inyang

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    Acting: Costumes, Make-up and Props by Justina Nkanga

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    Acting: Managing the Stage and the Auditorium by Joseph Umukoro

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    • Book Chapters

    Acting: Schools and Registers by Stephen Inegbe

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    • Book Chapters

    Acting: The Myths, the Reality by Effiong Johnson

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    • Book Chapters

    Acting: Yesterday, Today and Tomorrow by Ubong Nda

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    • Book Chapters

    Adaptation as a Creative Enterprise: The Crafting of Kalu Uka’s A Harvest for Ants. by Ubong S. Nda, Ph. D

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    • Book Chapters

    Adaptations of lbibio Decorative Motifs on Ceramic Wares by Dr. Ekwere Bassey

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    • Books

    Aesthetics: The Dialectics and Theatrics of Theatre and Communication

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    • Book Chapters

    African Traditional Cultural Forms, Signage and Symbolism in Kalu Uka’s A Harvest for Ants: A Socio-Semiological Analysis by Ofonime Inyang and Idaresit Inyang

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    • Book Chapters

    Analysis and Interpretation of J.C. de Graft’s Through A Film Darkly and Sons and Daughters by Martin Owusu

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    • Book Chapters

    Analyzing Scripts for Stage Lighting: An AppraisaI of Effiong Johnson’s Install the Princess by Udofot Jacob

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    • Book Chapters

    Context and Performance of Uto lbibio by Dr. Friday Okan

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    • Book Chapters

    Dance as an Aesthetic Paradigm in Kalu Uka’s A Harvest For Ants. by Ifure Ufford-Azorbo, Ph. D

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    • Book Chapters

    Dance in Drama by Ikike Ufford

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    • Book Chapters

    Dancing Through Kalu Uka in Chinua Achebe s Arrow of God by Victor Thompson

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    • Book Chapters

    Developing the Acting Spirit in Children through Educational Drama by Uwem Okome

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    • Book Chapters

    Directing Pathways: Script Understanding, Analysis, Interpretation and Working with Actors by Olympus Ejue

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    • Book Chapters

    Directing: Script Understanding, Analysis and Interpretation by Effiong Johnson and Margaret Akpan.

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    • Book Chapters

    Dramaturgy and Morality in Kalu Uka s Allegorical “Sugar Baby” by Bassey Ubong

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    • Book Chapters

    Evolution of Modern African Drama: Kalu Uka’s Transition from Evolutionism to Relativisrn in Ikhamma by Canice Chukwuma Nwosu and Emma Ejiofor Ebo

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    • Others Reading Materials

    Frogs at Noon(Play-Text)

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    • Book Chapters

    From Romance to New Birth: An Excursion into Kalu Uka’s Poetry Professor Sola T. Babatunde and Samuel Kwesi Nkansah

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    • Book Chapters

    From Script to Screen: A Synthesis of Artistic and Technical Skills by Charles Obot

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    • Book Chapters

    Hinges as Unhinged: An Exploration of Structural Violence in Play Analysis Using Post-Modern Poetics by Etop Akwang

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    • Books

    Ibom Cultural Offerings

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    • Book Chapters

    Igbonglais: Une Appropriation du Langage dans A Harvesr for Ants de Kalu Uka by Miriam Stephen Inegbe, MA, PGDE

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    • Book Chapters

    Images of the Grim in Kalu Uka’s The Hunt for Sugar Baby by Margaret G. Akpan, Ph. D

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    • Book Chapters

    Improvisation: The Actor’s Technique by Margaret Akpan

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    • Others Reading Materials

    Install the Princess

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    • Book Chapters

    Interpreting Encoded Emotions in Musical Scores for Performance: A synergy of Corroborating Knowledge Sources by Eric Otchere

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    • Book Chapters

    Joe de Graft And his Sons and Daughters: A Play That defends the Creative Arts by John Djisenu

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    • Book Chapters

    Kalu Uka and the ‘Observer Women’: Towards a Correctivist Reading of The Hant for Sugar Baby and lkhamma by Professor Mabel Evwierhorna

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    • Book Chapters

    Kalu Uka and the Development of Drama and Theatre Scholarship in Nigeria by Professor Muyiwa R Awodiya

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    • Book Chapters

    Kalu Uka as Dramatist: Painting “Othering” and Self-Reclamation of the Niger Delta in Ikhamma by Etop Akwang, Ph. D

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    • Book Chapters

    Kalu Uka: Impacts, Life and Works by Vincent Oghenevweta Diakpomrere

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    • Book Chapters

    Kalu Uka: The Man, His Theatre and the Rest of us by Professor Uwemedimo Atakpo

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    • Book Chapters

    Kalu Uka’s Creation and Creativity…: A Critique of the Critical Professor Charles Emeka Nwadigwe

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    • Book Chapters

    L’Adaptation de la Fleche de Dieu dans Le Theatre de Kalu Uka: Vers La Revalorisation des Aspects Culturels au Nigeria by Ibrahim Adedeji Saiaudeen, Ph. D

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    • Book Chapters

    lbibio/Annang Women Oral Performance. by Dr. Uwemedimo Enobeng Iwoketok

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    • Book Chapters

    Making Acting Audience-Friendly by Uwemedimo Atakpo

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    • Book Chapters

    Managing/his for Sensitization: The Case of the Akwa Ibom State Council for Arts and Culture by Dr. Tam Tam Azorbo

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    • Book Chapters

    Media Acting by Bassey Daniel

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    • Book Chapters

    New Approaches to the Study of Poetry in Schools and Colleges by Dr(Mrs.)Antonia Dickson

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    • Others Reading Materials

    Not Without Bones (Play-Text)

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    • Book Chapters

    Performing 50 Famous lbibio Proverbs and their Interpretations under the Full Moon by Professor Effiong Johnson & Dr. Effiong Ekpenyong

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    • Books

    Play Production Processes – Revised Edition by Professor Effiong Johnson

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    • Books

    Playwriting: The Fundamentals – Revised Edition by Professor Effiong Johnson

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    • Book Chapters

    Plucking the Feathers off Ritual: A Study of Ikhamma by Chukwuma Anyanwu

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    • Book Chapters

    Politeness as Performance: A Sociolinguistic and Cultural Analysis of Politeness Forms in Ibibio by Dr. (Mrs.)Juliet Udoudom .

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    • Others Reading Materials

    Production Memoir – Frogs At Noon

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    Production Memoir – Itiaba

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    • Others Reading Materials

    Production Memoir – The Fight Has Just Begun

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    • Book Chapters

    Production Preparation: Script Analysis for the Production of Ola Rotimi‘s Our Husband Has Gone Mad Again by Ubong Nda.

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    • Book Chapters

    Religious Faith and Hypocrisy in Kalu Uka’s The Hunt for Sugar Baby. by Justina S.B. Nkanga, Ph. D and Esther Ekom Robert, Ph.D

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    • Book Chapters

    Roles and Paraphernalia in Ekpe Efik Performance by Dr. (Mrs.) Margaret Akpan

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    • Books

    Script

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    • Book Chapters

    Script AnaIysis of A One-Man Theatre: A Playwrights Challenge in Mbajiorgu’s The Prime Minister’s Son by Stephen Inegbe and Miriam Inegbe.

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    • Book Chapters

    Script Analysis And Creative Intervention In Playmaking: My Experience In Directing and Stagecraft by Ofonime Inyang

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    • Book Chapters

    Script Understanding, Analysis and Interpretation or Performance: Correlation Between Notating and Performing the Dagaaba Gyile (Xylophone) Music by Mawuyram Adjahoe

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    • Book Chapters

    Sculpture in Celebration of “Mbopo” Culture of “Ibibio” Maiden Rite of Passage in Nigeria: Aesthetics and Psychological Nuances by Anthony Usiaholo Okonofua

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    • Book Chapters

    Seven Ages of a Colossus by Manson Akaduh

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    • Others Reading Materials

    Son of the Land(A True Story)

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    • Book Chapters

    Staging Select Plays of Kalu Uka: A Technical Outlook by Ekweariri, Chidiebere 5. Ph.D

    $1.50 VAT
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    • Book Chapters

    Stylistics in Uka’s A Consumation of Fire by Agwu, Orieji K.K and Stephen Inegbe, Ph D

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    • Book Chapters

    Subverting Audiences’ Expectation: Stage Interpretation of Osofisan’s Dramaturgy in Aitine’s Wrath by Promise Nyatuame and Madinatu Bello

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    • Book Chapters

    Television Acting by Charles Obot

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    • Book Chapters

    The “Sacred Femina” as Bullets of War in Literature and Other Arts: A Preliminary Interrogation of Kalu Uka’s Colonel Ben Brim. Liwhu Betiang, Ph.D

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    • Book Chapters

    The Actor and Stage Lighting by Molinta Enendu

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    • Book Chapters

    The Actor: The Persona, Attributes and His Associates by Etop Akwang

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    • Book Chapters

    The African Woman and Colonialism in Kalu Uka’s A Harvest for Ants. by Nwagbo Nnenyefike

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    • Books

    The Art of Acting: A Student-Friendly Anthology

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    • Book Chapters

    The Canoe Dance Theatre of the Niger Delta People by Dr. Ifure Ufford Azorbo

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    • Others Reading Materials

    The Fight Has Just Begun(Play-Text)

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    • Book Chapters

    The People, Tradition and Culture of Akwa lbom State by Dr. O.U. Jacob

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    • Book Chapters

    The Poetry and Content oflbibio Proverbs and the Global Knowledge Economy: A Study in Stylistic Criticism by Dr. Luke Eyoh

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    • Others Reading Materials

    The Stolen Manuscripts(Play-text)

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    • Book Chapters

    The Technical Challenges in Kalu Uka s Ikhamma by Okon Udofot Jacob, Ph. D

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    • Book Chapters

    The Uko Akpan Traditional Theatre: Orientation, Training and Practice by Dr. Ofonirne Inyang & ldaresit lnyang

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    • Book Chapters

    Theatre Performance, Spectacle and Tourism Development: The Akwa lbom State Experience by Dr. Ubong Nda

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    • Book Chapters

    Through A Theory Clearly: Re-processing J.C. de Graft’s Through A Fiim Darkly by Effiong Johnson

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    • Book Chapters

    Tradition and Modernity in Ebre Dance by Mr. lkike Ufford

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    • Book Chapters

    Tradition and Social Commentary in Kalu Uka’s Ikhamma and A Harvest for Ants. by Amen Dennis Alton, Ph.D (Associate Professor) and Oja P. Egwemi

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    • Book Chapters

    Transgressing the Cosmos: lbibio/Efik Mythography in Video-films: A Study of “Akpan Ekwong ” and “Mutanda ” by EtopAkwang

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    • Book Chapters

    Understanding, Analysis and Interpretation of a Music Score for performance by Isaac Udoh

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    • Other

    Visions Towards a Mission: The Art of Interpretative Directing

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    • Books

    Visions Towards a Mission: The Art of Interpretative Directing

    $15.00 VAT
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    • Book Chapters

    Women’s Use of Music for Protest and the Search for Identity Among the Annang and lbibio of Akwa lbom State of Nigeria by Dr. lme Ukpanah

    $1.50 VAT
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